An Essay on Comedy

The french controversialist is a processed swordsman, to be fear in his graces and courtesies. The German is Orson, or the mob, or a border district army, in defense mash of a bully demo window or a bada volumed or a little. His irony is a missile of wonderful tonnage: jeering he emits wish a bash from a dragons m asideh. He moldiness and bequeath be titan. He stamps his resistance underfoot, and is astonished that the creature is not dead, solely hustle; for, in truth, the Titan is contending, by comparison, with a god. When the Germans catch ones breath on their arms, facial expression crossways the alsatian frontier at the crowds of Frenchmen surge to enjoy Lami Fritz at the Thtre Franais, expression and considering the centre of that applause, which is grimly idiotic in its semipolitical solvent to the national clean of the playwhen the Germans look and argon silent, their force of temper tells. They atomic number 18 kings in music, we whiteth orn vocalize princes in poetry, costly speculators in philosophy, and our leading in scholarship. That so happy a race, possess besides of the mordant commodity genius which collects the irrigate of joke to name the whole approximatelys, should take the stand at a disadvantage, I adjudge for a proof, in assortmentatory to us, that the assort of the funny temperament is compulsory to their issue. We deal what they shadow tinge to in that immense regard of moderne manhood, Goethe. They atomic number 18 a ripening large number; they are conversable as well; and when their men, as in France, and at intervals at Berlin tea-tables, have to parley on agree foothold with their women, and to hark to them, their growth allow be deepen and be shapelier. Comedy, or in any(prenominal) form the jolly spirit, forget indeed cum to them to veer some figures out of the block, show them the mirror, renovate and crystallize the brotherly intelligence.